A paintress and a sculptress, she improved her education at the atelier of the Piedmontese master Teonesto Deabate, a fundamental figure along all her professional and human progress, to whom she had been linked by a close, both artistic and philosophic bond, beyond any stylistic or discipleship influence. Such bond was borken off just by the paonter's death, in 1981.
Woven sculptures, installations, wearable art, objet-dresses have been realized by means of both traditional and experimental techniques, ranging from hand-loom to free loom (just the frame of a great painting, where canvas was taken away) to get to off loom and then to manipulations, crocheting, knitting, macramé, webbing and assembling.
